Brit Cruise

DEMO OF DYNAMIC INSTRUMENTATION:

Introduction

The purpose of this post is to propose a solution to the following future research directions offered in two papers on the Algorithmic Music Evolution Engine (AMEE) “A Flexible Music Composition Engine” and “Real-Time Emotional Adaptation in Automated Composition”, recently developed at UWO (Hoeberechts, Demopoulos, Katchabaw 2007)[10][11]. I’ve divided up the problems into two high level categories A and B: Continue reading →